A challenge and a quest for photographers
For Alexis Goure, one of the official photographers at the 24 Hours of Le Mans, sunrise is a hard-earned reward after several gruelling days of work. Yet, it’s a moment that can never be taken for granted. It demands patience, preparation and a good dose of instinct. “The light at daybreak is very precious. We’re not guaranteed a gorgeous sunrise every year. You need to know the best vantage points, understand the sun’s path, and sometimes dash from one spot to another to make the most of those 15 or 20 minutes of magical light,” the photographer explains.
The low-angled light streaming through the trees, the shifting shadows and the dramatic backlighting lend the atmosphere an ethereal beauty at this time of day. For photographers, it’s a golden opportunity to capture iconic images, like the one taken in 2014 with a Porsche 919 Hybrid almost lost in a cloud of dust at the Forest Esses. “It’s the kind of shot that tells a story, revealing both the power and the fragility of these racing machines,” explains Alexis.
Daybreak, a sacred moment for spectators too
For racegoers, dawn is just as special. Michel, a devoted fan who has been coming to the 24 Hours for over sixty years, describes it as almost sacred. “That in-between time, between night and day, is magical – it’s when a lot of the fans are waking up and we find ourselves wrapped in a veil of mist. Dawn is when we start reflecting – wondering what it all means, and what the drivers are really chasing as they go round and round the track for hours.”
At this point in the race, the drivers are battling exhaustion and seem to adopt a different attitude. Michel, who often watches this phase of the race from the Arnage corner, comments: “Their driving becomes almost instinctive, pure. Their reactions are different compared to the start of the race. You can feel the tiredness and you can tell that it’s been a long race for them.”
Dawn is also a test for the spectators. Staying awake until daybreak feels like a personal victory, so it’s a way of connecting with the drivers. “When you see the day dawning, you share in their endurance, their struggle against the fatigue,” Michel continues.
And the visual experience? There’s a striking contrast between the cars’ headlights, still piercing the early morning shadows, and the soft glow of the new day. The sun’s rays filter through the trees, casting reflections on the track and creating a scene where, just for an instant, the race seems to take a back seat to the sheer beauty of the moment.
Alexis Goure’s tips for sunrise photography
For Alexis, daybreak is the ideal time to broaden your perspective: “Don’t limit yourself to the cars on the track. This is your chance to capture the atmosphere – the fans emerging from their sleeping bags, details from around the circuit, all bathed in this special light.”
It’s an opportunity to see the 24 Hours from a different angle, to appreciate it as an extraordinary human and visual experience.
Daybreak at Le Mans is about more than the competition – it is a celebration of resilience and beauty. In that fleeting moment, spectators and photographers alike reconnect with the very essence of endurance racing: staying the course, pushing forward and finding the light.